Flower Drum Song

Everyone knows that weapons and Jutsu are what make everything exciting and fun. Buuuut, it would be recommended to FIRST post your weapons and jtsu list BEFORE you actually enter any type of combat on the site.

It's easier to train someone who has these things because you can see what the are capable of and you know what they need training in. But if you don't have it, it becomes an …

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Alright, Ranks are given for a reason, and higher the rank, of course, means that they are stronger than you. So when you fight a higher rank, don't try to act like your equal in strength, your not.

Example:

Jounin-*I dash out the way of the attack while preforming a series of hand signs, then once I stop, I send a water dragon at you.*

Chunin-*I focus chakra to my hands and I create a …

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you make a new topic of your own under the Kishoukage's Office Category
then you wait for one of the KAge's to listen to you

for example

name of your topic: "a small request"
what you do: *i wait in a chair outside the offices of the Kishoukages*
what we do (Rion): *the door opens to reveal me waiting at my desk* what can i do for you?

there is dialogue then eventually

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If you are not part of the battle if a fight is going, you can enter and watch yes, but only about 1 or 2 post per page. It disrupts the flow of battle when people just randomly jump in to it, talking nonsense.

Example:
ninja 1: I throw a kunai at steve.
ninja 2: I catch the kunai and toss it back with more force.
poser:I stand in a tree and watch the fight.
ninja 1: I dodge the kunai and …

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Posts : 138 Mana : 34903 Faction : vn Bloodline Limit : 200

Flower Drum Song was the eighth stage musical by the team of Richard Rodgers and Oscar Hammerstein II (pictured). It was based on the 1957 novel, The Flower Drum Song, by Chinese-American author C. Y. Lee. Rodgers and Hammerstein had experienced back-to-back Broadway flops and hoped for a new commercial hit. Set in San Francisco's Chinatown, the story illustrates the conflict between the traditional older generation of immigrants and the younger generation, struggling to assimilate into American culture. The piece opened in 1958 on Broadway and was a success, afterwards being presented in the West End and on tour. It was subsequently made into a 1961 musical film. After the release of the film version, the musical was rarely produced, as it presented casting issues and fears that Asian-Americans would take offense at how they are portrayed. The piece did not return to Broadway until 2002, when a version with a plot by playwright David Henry Hwang was presented after a successful Los Angeles run. It received mostly poor reviews in New York and closed after six months, but had a short national tour and has since been produced regionally.

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